Banner Photo: Learning How To Read By Moonlight, Dress Rehearsal, Leviathan Lab, NYC February 2023.
Click on the tabs to see the different texts I've written.
FULL-LENGTH PLAYS
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Learning How to Read by Moonlight, a Children's Play for Adults
Under the moonlight, six-year-old Eddie imagines a dragon eating moons and an imaginary friend teaching him English. His mother smokes as she prays to a statue of the Santo Niño. His father waits alone in Manila for their daily phone calls. Songs from a mythical giant turtle travel across oceans, but are drowned by the voices of Duterte and Trump on the television. As fantasy and reality become indistinguishable, the family is forced to learn how to articulate unspoken truths that will either break them or heal them. How will the weight of living undocumented in New York City force them to reevaluate their understanding of “community", “dreams”, and "home"? To assist the actors, a new narrator (a fellow artist, community organizer, or elected official) joins the cast every night. The narrator reads the play aloud to the audience, having neither seen the play nor read the entire script. The cast performs original music and songs to help tell the story. The play is spoken in English and Tagalog with subtitles. Awards and Recognitions Finalist - 2021 Bay Area Playwrights Festival Finalist - 2021 Barbour Playwrights Award Finalist EAG Open Stage Grant Recipient 22-23 Boston Theatre Critics' Association (BTCA) Critics' Pick, June 2025 Development History Reading, produced by the Episcopal Actors Guild and Leviathan Lab, New York, NY 2022 Production History Workshop Production, produced by Leviathan Lab, New York, NY 2023 World Premiere, produced by CHUANG Stage and Company One, Boston, MA 2025 Community Fundraiser for University Settlement, produced by Leviathan Lab, NYTW, and Song Collective, NYC 2026 |
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Mercury Makes the Skin Glow Filipinos love love. Filipinos love beauty. Filipinos love beauty pageants. Former Beauty Queen Carmelita returns to Queens, New York, to start a new circuit of beauty pageants for the community in celebration of the 125th Anniversary of Filipino Independence Day. Her daughter, Jesca, is against the practice, and tries to stop them. As a way to prevent Jesca from doing so, Carmelita coerces her seven-year-old grandson, Ernesto, to participate, which then unearths troubling questions of race, identity, colorism, and the Global South’s obsession with the multi-billion dollar industry of skin whitening. Part unhinged teleserye, part beauty pageant, and part historical reckoning, the play begs the question whether mercury truly does make the skin glow. Awards and Recognitions Semi-Finalist - 2025 Irons in the Fire New York State Council on the Arts (NYSCA) Grant 2025 Finalist - 2025 O'Neill Playwrights Center Finalist - 2025 Bay Area Playwrights Festival Development History Internal Reading, produced by Leviathan Lab, New York, NY 2025 Public Reading, produced by Leviathan Lab and Manila House, Maynila, PH 2026 (UPCOMING) |
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novena
G is a non-believer turning 33. The age Jesus died. The age their uncle committed suicide. In search for more life, G suddenly finds themselves in the in-between, in a world neither for the living nor dead. G travels to across an imaginary Filipino countryside to a place where unbeknownst to them they’ll have to confront their deepest fears of life: will they ever find love? Accompanying them on this trip is their late grandfather, with whom they’ll meet monsters of Filipino folklore, a ferocious Tikbalang, their late uncle, and their lost aunt, a survivor of demonic possession and exorcisms. A ritual play, a community is asked to participate in singing and maybe some storytelling. They together ask if love does exist in a world of cruelty, and discover together the joys of life, the reasons why we fight to live, and gratitude to themselves and loved ones. Inspired by Dante's Inferno, family stories, and my bipolar disorder. Development History Developed at Orchard Project Greenhouse Lab and Ma-Yi Writers Lab's Writing Retreat Intensive, March 2023 Awards and Recognitions Semi-Finalist - 2024 Eugene O'Neill Playwriting Conference |
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My Day Starts When Yours Ends, or The Sad Boys Club
Based on a real weekend, a sultry one-night stand turns into a short romance that changes the course of two queer folx's lives. A, a queer moreno Fil-Am New Yorker, visits B, a queer Afro-Puerto Rican Korean American, in Chicopee, Massachusetts. In the face of death, grieving, and loneliness, the weekend lovers discover for themselves the quiet moments between them that affirm their existence in this world - one that constantly tells them that they are not enough to be alive. Performed around dinner tables lined with food for the audience to partake in (the play is Filipino after all), the play's narrative is non-chronological and interspersed are five original songs performed by the two lovers themselves. Part play, part concert, part dinner theatre, an unconventional love story, and a celebration of life. Development History Reading, produced by Theatre 4the People, New York, NY 2024 with Jaime Cepero |
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The Believers
It's the end of days, A and Z are sent on a mission by their cult leader to preach the teachings of the Enlightened Garden. Before they do so, they are tasked by Father Aman to complete several errands that test their loyalty to the cult. A little bit of Sarah Kane, a little bit of Waiting for Godot, a little bit of Salvidor Dalí, and 100% Gaven Trinidad. A play to remind me that there is indeed love in a theatre/world of cruelty. Currently in development. Development History First developed with the support of The Shelter NYC, 2021. |
HYBRID WORK
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Sa Aming Puso/In Our Hearts - a Theatre Film Hybrid
We are in search of the spirit of our people. Where has it gone? Where does it live? In our bones live the history of our ancestors who fought, resisted, and survived centuries of colonial rule by the Spanish, Japanese, and Americans. Somewhere in the reconstruction of ourselves, it seems that we have forgotten something that unites us, all Filipinos from around the world. Using texts from three work-in-progress plays, theatre makers Gaven Trinidad and Regina De Vera openly interrogate the lasting effects of imperialism on contemporary Pilipino identity and what it means to be Pilipino/Filipinx today. The filmed vignettes will explore themes of immigration, belonging, citizenship, decolonization, and the continuous search for what unites all people of Pilipino descent. The project was filmed on location in New York City, and was presented in English and Tagalog. Written and directed by Gaven Trinidad. In collaboration with and featuring Regina De Vera; Translation into Tagalog by Regina De Vera. Film Editing by Uno Servida. Production History Produced and streamed, Rattlestick Playwrights Theater and New York Theatre Salon, 2021 |
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Peril in Thine Eye
A ballet libretto in response to the violence at Pulse nightclub in June 2016. Using Shakespeares's Romeo and Juliet as a jumping off point, the story examines the resilience of LGBTQIA+ love against cyclical violence in the United States. Production History University of Massachusetts Amherst, November 2016. more information |
SHORT PLAYS
Kinky Choreopoems
15 minutes
Three POC TGNC queers walk into a bar and share a drink. Relishing in sex positivity and kink, they speak to their sexual desires. The choreopoems explore gender, cruising, intimacy, sexual desire, human contact, race, and physical and emotional liberation in a contemporary leather community.
The XXXMas Carol
10 minutes
A sequel to "The Holiday Party," a disgruntled partier leaves and returns to his swanky apartment only to be met by the Twink of Secular XXXMas Past, the Bear of Holigayz Present, and Drag Queen of Wasted Futures to Come.
The Holiday Party
10 minutes
Three queer friends prepare for their very intimate annual Holiday Party, but a huge misunderstanding forces the three to change course last minute just before the guests arrive.
Delta Drag
10 minutes
In this queer theatre of ridiculous, two rich Filipino-Chinese twins are now part of the witness protection program and it takes the magic of a Juilliard trained drag queen to teach them how to live in their new disguises in the Mississippi Delta.
Vincent and His Ear
10-15 minutes
A young brown queer human is trying to make sense of their bipolar disorder diagnosis and a recent heartbreak that mirrors Vincent Van Gogh's first recorded mental breakdown which leads to his infamous self-mutilation. Using Bridgette Murphy's book Van Gogh's Ear as the jumping off point, the protagonist questions if there is away to climb out of their deep grieving and confusion examining Van Gogh's speculated mental illnesses and his paintings.
Recording Session Interview #3
30-40 minutes
Trevor and Paul meet on what happens to be the evening of Manhattanhenge, when the sun is in perfect alignment with Manhattan's grid layout. While they share tales of their search for home and family during this mystical event, they unknowingly conjure the spirits of queers past to seal their bond as human beings. Based on my interview work with HIV/AIDS activists from the 80s and 90s while as a senior in college in 2012.
Star Showers (an ending to an unwritten full length play)
10 minutes
At the end of a journey, a man finds himself on a mountain top with three clowns and a World War II veteran. As the night draws, they prepare to release stars into the sky and to the beauty of the world. With a little bit of magic, the characters bring the heavenly stars of the Milky Way inside an intimate theatre. Can be performed by several actors or one.
15 minutes
Three POC TGNC queers walk into a bar and share a drink. Relishing in sex positivity and kink, they speak to their sexual desires. The choreopoems explore gender, cruising, intimacy, sexual desire, human contact, race, and physical and emotional liberation in a contemporary leather community.
- First performed, October 2019 @ The Eagle NYC (NYC's leather cruise bar), New York, NY. Featuring James A. Pierce III, Jess Orense, and Edgard Toro, produced by National Queer Theatre.
The XXXMas Carol
10 minutes
A sequel to "The Holiday Party," a disgruntled partier leaves and returns to his swanky apartment only to be met by the Twink of Secular XXXMas Past, the Bear of Holigayz Present, and Drag Queen of Wasted Futures to Come.
- First performed, December 2023 @ "PLAYGROUND NYC," zoom.
The Holiday Party
10 minutes
Three queer friends prepare for their very intimate annual Holiday Party, but a huge misunderstanding forces the three to change course last minute just before the guests arrive.
- First performed, December 2022 @ "PLAYGROUND NYC," zoom.
- Performed live in NYC and SF, April + May 2023
Delta Drag
10 minutes
In this queer theatre of ridiculous, two rich Filipino-Chinese twins are now part of the witness protection program and it takes the magic of a Juilliard trained drag queen to teach them how to live in their new disguises in the Mississippi Delta.
- First performed, October 2022 @ "PLAYGROUND NYC," zoom.
Vincent and His Ear
10-15 minutes
A young brown queer human is trying to make sense of their bipolar disorder diagnosis and a recent heartbreak that mirrors Vincent Van Gogh's first recorded mental breakdown which leads to his infamous self-mutilation. Using Bridgette Murphy's book Van Gogh's Ear as the jumping off point, the protagonist questions if there is away to climb out of their deep grieving and confusion examining Van Gogh's speculated mental illnesses and his paintings.
- First performed, June 2022 @ "Open Source", The Tank, New York, NY. Performed by the playwright.
Recording Session Interview #3
30-40 minutes
Trevor and Paul meet on what happens to be the evening of Manhattanhenge, when the sun is in perfect alignment with Manhattan's grid layout. While they share tales of their search for home and family during this mystical event, they unknowingly conjure the spirits of queers past to seal their bond as human beings. Based on my interview work with HIV/AIDS activists from the 80s and 90s while as a senior in college in 2012.
Star Showers (an ending to an unwritten full length play)
10 minutes
At the end of a journey, a man finds himself on a mountain top with three clowns and a World War II veteran. As the night draws, they prepare to release stars into the sky and to the beauty of the world. With a little bit of magic, the characters bring the heavenly stars of the Milky Way inside an intimate theatre. Can be performed by several actors or one.
- First performed, May 2019 @ The Duplex, New York, NY. Featuring HanJie Chow in a solo version of the piece.
IN DEVELOPMENT
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I Want You To Want Me, or The AFAM Play
When Jayvie—a quick-witted, Chinoy (Chinese Filipino), queer livestreamer in Quezon City—lands a gig guiding three American “passport bros” through Manila for a few days, it feels like one step out of debt and into possibility. But as Fil-Am cousin Jugz, aspiring passport bro Cliff, gym-bro Logan, circuit partier Saint, and legendary neighborhood diva Tita Nolma collide in karaoke bars, sari-sari stores, and shadowy chat rooms, the tour spirals into a wild reckoning with colonial fantasy, queer desire, the bullshit of the “manosphere”, and the price of love. |